By Charlie Tweed on 26.04.19
Issue 1: International Journal of Creative Media Research
March 2019
Abstract
In this statement I consider the single screen video work Oporavak (2016), a work that has been shown in galleries, film festivals and media art biennales. The video… more about
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By Charlie Tweed on 7.06.13
I am Algorithm (2013)
Marie-Anne McQuay, Curator, spike island
Charlie Tweed’s mesmeric films bring to the foreground of our attention processes that operate more usually in the background of our perception. We are narrated to by abandoned hardware,… more about
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By Paul Kent on 25.11.10
Ellen Mara De Wachter
This text was written for the publication for the exhibition:
Who Wants to Act Now, or Even See Acting
Curated by Nazli Gurlek at Depo Istanbul (June 15-22 2010)
The mood is strong in We… more about
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By Paul Kent on 25.11.10
LB. Your work is primarily concerned with what you refer to as “control methodologies.” Can you explain what that term signifies for you?
Control methodologies are the elements that make up systems of control and they are explored… more about
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By Paul Kent on 25.11.10
Were Notes Part I, II & III always intended as a series?
No the Notes set of films has grown over time and began with the video ‘We Are The Above’ which I developed during my MFA at Goldsmiths… more about
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By Paul Kent on 11.11.10
Charlie Tweed – Notes I, II & III
Whilst masquerading as a fiction – a future dystopia transmitted in episodes by a post-human life force – Charlie Tweed’s Notes series, like all dystopias, mirrors the concerns of the present… more about
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